President Bill Clintons Impeachment essays

President Bill Clintons Impeachment essays The 42nd President of the United Sates, William Jefferson Clinton, is considered the most investigated President in U.S. history. The first scandal, Travelgate, involved the White House travel office and the firing of seven employees who were replaced by Clintons Arkansas friends in 1993, and was followed a few months later by the Whitewater controversy (Presidential). In 1994, around the same time that Paula C. Jones publicly alleged that Clinton, while Governor of Arkansas, had sexual harassed her, Clinton began an eighteen-month affair with Monica Lewinsky, a 22 year-old White House intern (Presidential). Lewinskys name was first included on a list of potential witnesses prepared by Jones attorneys that was submitted to Clintons legal team (Clinton). In 1996, Lewinsky was transferred to a position at the Pentagon, where she became friends with Linda Tripp, also transferred from the White House, who began to secretly tape-record Lewinskys telephone conversations in which she confided to Tripp her affair with the President (Presidential). Tripp provided more than twenty hours of tape recordings to Independent Counsel Kenneth Starr, who received permission from the U.S. Justice Department to expand his Whitewater investigation to include Clintons close friend Vernon Jordan, believing he had encouraged Lewinsky to deny her affair with Clinton during a sworn affidavit (Presidential). On January 16, 1998, Tripp lured Lewinsky to a hotel room. There, her conversation with Tripp was secretly recorded pursuant to a court order. Lewinsky was then confronted by federal agents who charged her with perjury and demanded that she cooperate by providing evidence against Clinton (Clinton). The following day, Clinton denied having sexual relations with Lewinsky, and by January 21, the media was reporting that Starrs investigation had expanded to include the Lewinsky allegations (Clinton). On J...

3 Hit Rammstein Songs Translated From German

3 Hit Rammstein Songs Translated From German Rammstein is a famous German band whose music is best described as dark, heavy rock. They are somewhat political and often take on social issues in their songs and that has led to controversy. Whatever your take on Rammsteins political views, the bands lyrics are also a lesson in German. If you are studying the language, you might find these lyrics and the English translations to three of their most popular songs helpful. An Introduction to Rammstein Rammstein was formed in 1993 by six men who grew up in East Germany  and were all born after the Berlin Wall went up. They took their name from the American Ramstein air base near Frankfurt (adding an extra m). The bands members are  Till Lindemann (b. 1964), Richard Z. Kruspe-Bernstein (b. 1967), Paul Lander (b. 1964), Oliver Riedel (b. 1971), Christoph Schneider (b. 1966), and Christian Flake Lorenz (b. 1966). Rammstein  is a unique German band in that it has managed to become popular in the English-speaking world by singing almost exclusively in German. Most other German artists or groups (think the Scorpions or Alphaville) have sung in English in order to reach the English-language market or they sing in German and remain virtually unknown in the Anglo-American world (think Herbert Grà ¶nemeyer). Yet, Rammstein has somehow turned their German lyrics into an advantage. It certainly can become an advantage for learning German. Rammenstein Albums Herzeleid  (1995)Sehnsucht  (1997)Live aus Berlin  (1998, also a  DVD)Mutter  (2001)Lichtspielhaus  (2003, DVD)Reise, Reise  (2004) The Controversy That Surrounds Rammstein Rammstein has also stirred up controversy on their road to fame.  One of the most famous incidents occurred in 1998. It involved their use of clips from the work of the Nazi  filmmaker  Leni Riefenstahl  in one of their music videos. The song, Stripped, was a cover of a  Depeche Mode song and the films used spurred protests against what some saw as a glorification of Nazism. Even before that well-publicized incident, their lyrics and images had given rise to the criticism that the band has neo-Nazi or far-right tendencies. With German lyrics that are often far from politically correct, their music was even linked to the Columbine, Colorado school shooting in 1999. Some British and American radio stations have refused to play Rammstein songs (even if they dont understand the German lyrics). There is no real evidence that any of Rammsteins six eastern German musicians themselves hold such right-wing beliefs. Yet, some people are either a little naive or in denial when they claim that Rammstein has done nothing to lead people to suspect the band of fascist leanings. The band itself has been a bit coy in their claims of why would anyone accuse us of such things? In light of some of their lyrics, they really should not pretend to be so innocent. The band members themselves have admitted they intentionally make their lyrics ambiguous and full of double entendre (Zweideutigkeit). However... we refuse to join those who totally reject artists for their supposed or actual political views. There are people who wont listen to Richard Wagner  operas because he was antisemitic (which he was). For me, the talent evident in Wagners music  rises above other considerations. Just because we condemn his antisemitism doesnt mean we cant appreciate his music. The same goes for Leni Riefenstahl. Her former Nazi connections are undeniable, but so is her cinematic and photographic talent. If we choose or reject music, cinema, or any art form only for political reasons, then we are missing the point of art. But if youre going to listen to Rammsteins lyrics and their meaning, dont be naive about it. Yes, you can learn German through their lyrics, simply be aware that those lyrics may have offensive overtones of a political, religious, sexual,  or social nature that people have a right to object to. Keep in mind that not everyone is comfortable with lyrics about sadistic sex or the use of the f-word - even if its in German. If Rammsteins lyrics make people think about issues from fascism to misogyny, then thats for the good. If listeners also learn some German in the process, so much the better. Amerika Lyrics Album: â€Å"Reise, Reise† (2004) Amerika is a perfect example of Rammsteins controversial style and it is also one of their best-known songs worldwide. The lyrics include both  German and English and it includes countless references about how America reigns over world culture and politics- for good or bad. As you can tell by the last verse (recorded in English, so no translation is needed), this song was not written with the intent of idolizing America. The music video is filled with clips of American influence throughout the world and the overall feel of the song is rather dark. German Lyrics Direct Translation by Hyde Flippo Refrain:*Were all living in America,America is wunderbar.Were all living in America,Amerika, Amerika.Were all living in America,Coca-Cola, Wonderbra,Were all living in America,Amerika, Amerika. Refrain:Were all living in America,America is wonderful.Were all living in America,America, America.Were all living in America,Coca-Cola, Wonderbra,Were all living in America,America, America. Wenn getanzt wird, will ich fhren,auch wenn ihr euch alleine dreht,lasst euch ein wenig kontrollieren,Ich zeige euch wies richtig geht.Wir bilden einen lieben Reigen,die Freiheit spielt auf allen Geigen,Musik kommt aus dem Weien Haus,Und vor Paris steht Mickey Maus. When Im dancing, I want to lead,even if you all are spinning alone,lets exercise a little control.Ill show you how its done right.We form a nice round (circle),freedom is playing on all the fiddles,music is coming out of the White House,and near Paris stands Mickey Mouse. Ich kenne Schritte, die sehr ntzen,und werde euch vor Fehltritt schtzen,und wer nicht tanzen will am Schluss,wei noch nicht, dass er tanzen muss!Wir bilden einen lieben Reigen,ich werde Euch die Richtung zeigen,nach Afrika kommt Santa Claus,und vor Paris steht Mickey Maus. I know steps that are very useful,and Ill protect you from missteps,and anyone who doesnt want to dance in the end,just doesnt know that he has to dance!We form a nice round (circle),Ill show you the right direction,to Africa goes Santa Claus,and near Paris stands Mickey Mouse. This is not a love song,this is not a love song.I dont sing my mother tongue,No, this is not a love song. * This refrain is used throughout the song, at times it is only the first four lines. In the last refrain, the sixth line is replaced with Coca-Cola, sometimes WAR,. Spieluhr (Music Box) Lyrics Album: Mutter (2001) The Hoppe hoppe Reiter phrase, repeated often in Spieluhr comes from a popular German nursery rhyme. The song tells the dark story about a child who pretends to be dead and is buried with a music box. It is the music box song that alerts people of the childs presence. German Lyrics Direct Translation by Hyde Flippo Ein kleiner Mensch stirbt nur zum Scheinwollte ganz alleine seindas kleine Herz stand still fr Stundenso hat man es fr tot befundenes wird verscharrt in nassem Sandmit einer Spieluhr in der Hand A small person just pretends to die(it) wanted to be completely alonethe small heart stood still for hoursso they declared it deadit is buried in wet sandwith a music box in its hand Der erste Schnee das Grab bedeckthat ganz sanft das Kind gewecktin einer kalten Winternachtist das kleine Herz erwacht The first snow that covered the gravewoke the child very gentlyin a cold winter nightthe small heart is awakened Als der Frost ins Kind geflogenhat es die Spieluhr aufgezogeneine Melodie im Windund aus der Erde singt das Kind As the frost flew into the childit wound up the music boxa melody in the windand the child sings from the ground Refrain:*Hoppe hoppe Reiterund kein Engel steigt herabmein Herz schlgt nicht mehr weiternur der Regen weint am Grabhoppe hoppe Reitereine Melodie im Windmein Herz schlgt nicht mehr weiterund aus der Erde singt das Kind Refrain:*Bumpety bump, riderand no angel climbs downmy heart does not beat any longeronly the rain cries at the graveBumpety bump, ridera melody in the windmy heart does not beat any longerand the child sings from the ground Der kalte Mond in voller Prachthrt die Schreie in der Nachtund kein Engel steigt herabnur der Regen weint am Grab The cold moon, in full magnificencehears the cries in the nightand no angel climbs downonly the rain cries at the grave Zwischen harten Eichendielenwird es mit der Spieluhr spieleneine Melodie im Windund aus der Erde singt das Kind Between hard oak boardsit will play with the music boxa melody in the windand the child sings from the ground Hoppe hoppe Reitermein Herz schlgt nicht mehr weiterAm Totensonntag hrten sieaus Gottes Acker diese Melodieda haben sie es ausgebettetdas kleine Herz im Kind gerettet Bumpety bump, ridermy heart does not beat any longerOn Totensonntag** they heard thismelody from Gods field [i.e., a cemetery]then they unearthed itthey saved the small heart in the child * The refrain is repeated after the next two verses and again at the end of the song. *  *Totensonntag  (Dead Sunday) is a Sunday in November when German Protestants remember the dead. Du Hast (You Have) Lyrics Album: Senhsucht (1997) This Rammstein song plays on the similarities of the conjugated forms of the verbs  haben  (to have) and  hassen  (to hate). It is a good study for anyone learning the German  language. German Lyrics Direct Translation by Hyde Flippo Dudu hast (hat)*du hast mich(4 x)du hast mich gefragtdu hast mich gefragtdu hast mich gefragt,und ich hab nichts gesagt Youyou have (hate)you have (hate) me*(4 x)you have asked meyou have asked meyou have asked meand I have said nothing Repeats twice:Willst du bis der Tod euch scheidettreu ihr sein fr alle TageNein, nein Repeats twice:Do you want, until death do you part,to be faithful to her for all your daysNo, no Willst du bis zum Tod der Scheide,sie lieben auch in schlechten TagenNein, nein Do you want until the death of the vagina,to love her, even in bad timesNo, no * This is a play on two German verbs:  du hast  (you have) and  du haßt  (you hate), spelled differently but pronounced the same way. The German  lyrics are provided for educational use only. No infringement of copyright is implied or intended. The literal, prose translations of the  original German  lyrics by Hyde Flippo.

The goverment should make the guns illegal -Con PowerPoint Presentation

The goverment should make the guns illegal -Con - PowerPoint Presentation Example As such, the rates of criminal activities associated with guns will reduce as much as possible. This may be critical in ensuring safety, peace and developments in the country, thereby translating to strong economy. There are several reasons to support the issue of making the guns illegal. It is of crucial importance to note that ownership of guns is closely associated with criminal activities. For instance, most criminal activities like robbery, rape as well as suicides are always eased through the use of guns (Streissguth, 74). Making the guns illegal is the safest bet to thwarting issues of insecurity. Making the ownership of guns illegal is essential since it will reduce the chances of criminals, school bullies as well as other hooligans from accessing guns. This will prevent massive fatalities associated with such acts. Making the guns illegal limits the possibilities of guns being in the hands of children (Lott, 75). This helps in limiting the chances of gun bullying that may result to deaths of innocent individuals. In addition, the restriction to gun ownership will greatly reduce the chances of people committing passion suicide following situational stresses (Whitney, 57). Therefore, any move to make the guns illegal is critical in managing, preventing as well as minimizing such crime related activities involving the usage of guns. This is crucial in bringing peace as well as safety to the lives of individuals. This follows that illegalizing of guns is key in heightening security issues as well as minimizing criminal related activities involving the use of

Is there global convergence in corporate governance and why Essay

Is there global convergence in corporate governance and why - Essay Example This research paper is focused on convergence corporate governance practices among business firms and tries to determine the primary reason behind it. Paul (2005) mentioned in his study that firms belonging to different cultural background follow different organizational practices. The cross cultural difference in organizational behaviour has been studies by Hofstede, Wedel and Steenkamp (2002), where he stated that people belonging to different cultural background possesses different psychological profile, which is the key determinant behind variance in governance structures in the organizations. However, Chan and Cheung (2012) contrasted that despite of the presence of cultural differences among the firms, there exists a uniformity among the corporate laws, which compels all the business firms to work under the same roof. Porta et al (1999) further added that the firms that operate in a multinational level deals with the financial standards and regulations of different countries. Therefore, it becomes a big hassle for them if different countries follow different standards. This as a result forced the multinational firms to agree upon a commonly used regulations and standards that eased the business activities of the firms. Coffee-Jr (1999) mentioned that the importance of protecting shareholder’s interests is also a vital determinant of the growing convergence of the corporate governance structures. This is mostly because the outside investors often face the risk of uncertainty in some countries where the expropriation of the minority shareholders by the controlling shareholders is extensive. Paul (2005) opined that the advent of globalization has created an open global business market where all the firms from different avenues perform their respective business activities. Therefore it is imperative that the firms

The Womans Role In Macbeth :: Free Macbeth Essays

The Woman's Role In Macbeth   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  William Shakespeare's, Macbeth, is a play full of betrayal and deception. It is a story about Macbeth's desires to achieve greatness and become king. Despite his involvement in actually committing the treasonous acts, he cannot be held accountable.   However, if it were not for the deeds of a woman at one time or another, Macbeth never would have involved himself with acts of treachery.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   From the opening scene, we begin to see the role that women play in Macbeth.   The three ugly witches are gathered in a thunderstorm cackling greedily over their evil plans. Their chant of "fair is foul, and foul is fair" illustrates how women perform acts of ugliness and evil to achieve disorder.   In addition, we see that women can cloud reality, thus causing deceptiveness in the "fog and filthy air."      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In Act I, scene 3, we again see the feminine presence through the witches. This time, however, they are casting spells on a poor sailor because his wife cursed one of the witches and refused to give her some chestnuts. Chances are, that if women are fighting, a man will suffer for it.   Just then, Macbeth and Banqou see the witches and engage them in conversation.   The witches greet Macbeth with, "Thane of Glamis" (his present title), "Thane of Cawdor" (his soon-to-be announced title), and the prophesy that he will be "King hereafter."   They also greet Banquo with, "lesser than Macbeth, and greater," as "not so happy, yet much happier," and tell him "thou shalt get kings, though thou be none."   How would the witches know of their future?   Perhaps they were trying to plant an idea in Macbeth's head that would later lead to certain calamity.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   After Macbeth discovers the witches' first prediction came true, he begins to aspire to realize the next prediction of becoming king.   Already, because of the women, Macbeth begins to entertain the idea of such power. Macbeth later informs his wife of his encounter with the witches and their predictions.   Because Lady Macbeth likes the idea of becoming queen, she encourages Macbeth to kill Duncan.   Just like a woman would do, she begins to put her own interests before the well-being of her husband.   She tells him that he must kill Duncan, which he eventually does with great hesitance.   Even after he commits the deed, she maintains that what he did was rational, and thus

Moral dimensions of punishment

Moral and political theory, that is, should perceive itself as articulating how it is possible for inquirers, â€Å"immersed as they are in the contingent contexts of their lives and circumstances,† (Barcan-Marcus, 1980) to work out for themselves the details about what is right and wrong. As inquirers we proceed as best we can in the situations in which we find ourselves and which we create for ourselves, guided by the thought that experience is the key to truth, knowledge, and objectivity. As Dewey stressed, the pragmatist must see morality and politics as problem-driven, and those problems will vary as social practices, systems of domination and oppression, the religious makeup of a population, and a host of other circumstances vary. There are many laws that regulate the publication and dissemination of pornography; however, they take what some might term a rather permissive attitude toward consensual sexual activity between adults. Since this is an area in which morality law differs quite considerably in the United States and Europe. Included in the subcategory of offenses against morality are drug and consensual sex offenses. The English have a framework of laws classifying drugs into different categories and proscribing their unlawful importation, production, and possession. Although the English do permit heroin to be supplied to registered addicts, this is done far less frequently than might be envisaged. Durkheim was one of the leading thinkers in this regard. In looking at the nature of modern industrial society, Durkheim focused on the moral basis of social order and stability – the basis of what he termed social solidarity. He argued that without the regulation of society, individuals would attempt to satisfy their own desires and wishes without regard to their fellows. This societal regulation had, he believed, to be based on a set of shared values; and a working society required that the individuals within it accepted these common values. Durkheim called this common set of values the collective conscience, which he defined as ‘the totality of beliefs and sentiments common to average citizens of the same society'. â€Å"†¦Crime is, then, necessary; it is bound up with the fundamental conditions of all social life, and by that very fact it is useful, because these conditions of which it is a part are themselves indispensable to the normal evolution of morality and law†¦.† (Crain, 1985) The existence of social morality and social solidarity makes punishment inevitable and necessary, in that it reaffirms and strengthens the moral and social bonds. Of course, punishment is not the only process that does this; religion, education and family life all help to strengthen the collective conscience and to promote social cohesion. Punishment has to be seen as a very important means of reinforcing moral and social order in less complex societies with a less developed division of labour. However, while methods of punishment change over time, the essential functions of punishment remain constant. Although the collective conscience of a society changes over time and people are outraged by different activities, punishment as a social process has an unchanging character. Punishment is seen as an important and necessary part of the moral order of society. It helps prevent the collapse of moral authority and demonstrates the strength of moral commands. For Durkheim, the primary function of punishment is the reassertion of the moral order of society. From this analysis, punishment is not an instrument of deterrence that aims to prevent the repetition of a guilty act; â€Å"the threat of the unpleasant consequences of particular punishments are just practical problems that might stand in the way of the criminal's desires† (Gill, 2003). Rather, it is a means of conveying moral messages and of indicating the strength of feelings that lie behind those messages and the common consciousness. In practical terms, punishment may have to be unpleasant, but in terms of the role of punishment in society Durkheim sees that as incidental: the essence of punishment is the expression of moral condemnation. Because law and morality are so intertwined (laws, for example, often develop out of moral concerns) the distinction between the two is often ignored. But they are different: something moral may not be legal; something legal may not be moral. A law is a rule of conduct prescribed by properly constituted governing authority and enforced by sanctions. Whether or not an action is moral, by contrast, depends upon whether it can be supported by reasons within the framework of a set of moral assumptions, which themselves must be subject to critical appraisal. The views in this paper are concerned primarily with the moral permissibility of expediency. The legal issue, however, is never far in the background for two reasons. Most people consider the legality of an act to have a bearing on its morality. Moreover, e.g. if a sufficient number of people became persuaded of the moral acceptability of euthanasia, then laws might change, making it legal. The effective decisions, especially those which bend or erode established principles and adjust them to a changing environment, are taken behind the scenes. It follows that unless the innovator has the capacity and the contacts to negotiate successfully in this arena, he will not succeed. Behind the scenes he can exploit whatever personal effectiveness he has and he can make the hard realistic argument for whatever he proposes on the grounds of expediency. He can show that both his opponents and their principles will be diminished if they refuse to bend to the demands of a real world. He does not have to argue for the essential justice of what he proposes — for that may well be something which can be only asserted and cannot be rationally argued to those who think otherwise — but only for its expediency. One suspects that many new programs in teaching and research have been introduced in this way: they will cost nothing; refusal to adopt them will bring severe penalties; the sponsor is going to make himself unpleasant to everyone concerned, if he does not get his way; and so forth. But the victor is left in a very insecure position. His program has been accepted as a matter of expediency, but not as a matter of principle. It therefore is denied that halo of non rational acceptance, â€Å"that unthinking and unquestioning faith which could provide a protective inertia against the forces of revision, that same inertia which in the first place stood in the way of innovation.† (Pettit, 1997) It follows from this that acceptance behind the scenes is only the first step. To achieve security, to achieve ‘tenure' so to speak, the new program must be made acceptable in the public arena and taken into the security of one of those principled stockades. In short, an innovation is accepted when it becomes part of the sacred. This can rarely, if ever, be done without a contest. So, at the end, we come to the real dilemma which far transcends, while it encompasses, the three-way pull of scholarship, collegiality and service. It is in reality a choice between equal evils: the open world of principle and the shadowed world of action. To choose one or the other is foolish, and the sensible man can only pilot his way between them. In the end it makes no sense to ask who steers the ship: Is it morality or expediency? Are the men in the smoke-filled rooms really those at the helm? They may be at the helm, but if there are no principles and there is no front arena, they have no course by which to steer. Scylla is the rock of principle: expediency is Charybdis. Politics being what they are, the ship seldom contrives to steer a straight course between them. Usually, if there is progress, it is achieved by bouncing from one rock to another. â€Å"What I hope to have shown is that there are some good reasons for thinking that we can make assertions or have genuine beliefs about what is right and wrong† (Phillips, 1983), just and unjust, cruel and kind; that we can inquire about the correctness of those beliefs; that our moral deliberations aim at the truth. And I hope to have shown that if we are to make sense of this, we must conduct ourselves via democratic principles – ones which encourage tolerance, openness, and understanding the experiences of others. By way of contrast, if our philosophical theory says that there is no truth to be had, then it is hard to see how we can satisfy ourselves that the reasons for being tolerant outweigh the reasons for, say, striving to eliminate the other in our midst. The same holds for a correspondence theory of truth, because it almost directly leads to the view that there is no truth about morals and politics. If truth is a matter of a statement’s getting the physical world right, then how could we possibly think that statements about what is just and unjust might be true or false? I have not in this paper spent a great deal of time on the independent epistemological arguments for pragmatism, but its comparative advantages ought nonetheless to be apparent. True to the phenomenology of morals and true to a democratic vision of inquiry, it gives us something to say to the Schmittian and to ourselves about why intolerance is wrong. Resources Barcan-Marcus, Ruth (1980) ‘Moral Dilemmas and Consistency’, Journal of Philosophy, lxxvii, 3. Crain, W.C. (1985). Theories of Development. Prentice-Hall. pp. 118-136 Gill, F.E. (2003). The Moral Benefit of Punishment. Lexington Books. Pettit, Philip (1997) Republicanism, Oxford: Clarendon Press. Phillips, Anne (1993) Democracy and Difference, University Park, Pa.: Pennsylvania State University Press.   

A Brief Note On The Organic Food Movement - 843 Words

Making my way over to my hotel’s breakfast bar I was immediately struck by the many odd-shaped fruits that greeted me. Their roughness and complete lack of uniformity seemed at total odds with the plush surroundings of the hotel. I couldn’t help but be amused by how things had changed. Only a few years previously, such hotels would have been disgusted at the thought of displaying such unaesthetically pleasing fruit. Now, food of this description is proudly eaten by the elite. Inverted snobbery has never been better represented than through shabby chic and its total insincerity has never better been exemplified than through the organic food industry. The term â€Å"organic† has now seeped deeply into our society becoming a by-word for more ethical and healthier food production and consumption. However, the only awareness being shown by the corporations and retailers who use this label is an understanding of people can be hoodwinked into paying more for snake oil. 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